Friday Morning Music Non-Shuffle & Shuffle – Toys Mix Pt. 4 of ?

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If you haven’t done so, remember, Play With Your Toys – the new album by The End Men is now available for immediate download.  Get it NOW!

Now, we left you hanging on a Wrong Way Street… so, let’s bring this sucker home:

First off if you’re late to the party, here’s what you need to know:

tracks: Cleaning Your Mind, Run Away and Long Way to the Ground

tracks: Into the Mines, Play with Your Toys Pt. I and The Ballad of Billy Polk
tracks: It’s All Wrong, Mental Trapeze, Play With Your Toys Pt. II and Wrong Way Street
Toys Mix Pt. 4 of ? begins after the jump:

Track 11: Stack Chips. After taking us to the dizzyingest of heights and then dropping us into the mines, after swinging us on a mental trapeze and leading us down a wrong way street. After setting the blues rock (and rock/rock) bar about as high as it can go, after pulling out all the stops and all the toys… after all that and more… The End Men up and leave us with one of the most brutally lovely songs on the album. The song is a not so gentle reminder of the temporary nature of things like wealth and privilege and indeed life itself.  

So… the question is, is this the end of  this multi-part review? And if it is the end, why did I leave that ‘?’ at the end of the post title?  Well, we’ve written about all 11 tracks on the album, and when we get back to our morning walk on Tuesday, we will be going back to the usual shuffle.  So maybe this is the end.  Maybe we should’ve named this Toys Mix Pt. 4 of 4. Maybe? or…. (to be continued?  You bet)

*Bloggers note:  Among the many great things about writing is a blog (besides the free stuff which is cool) are the amazing people I have met along the way. At or near the top of that list are Matthew Hendershot and Livia Ranalli.  I alluded to this in a previous post, but I’ll just flat out say, that what I see in them is a true generosity of spirit which I find very refreshing.  Nevermind that they are crazy talented (mind you they are), but they are really awesome people who go out of their way to support their fellow musicians and even us lowly bloggers.  They even included me with a “Thanks” in the liner notes of Play With Your Toys (which is totally awesome and which I didn’t know before I started on this multi-part review).  I’ll stop with the sentimental (but honestly true) crap…  bottom line. Play With Your Toys is a truly great album.  I know there are tons of people who will fall in love with this band and this music they way I did, and I know that way too many will not take the time to listen.  So, I will keep shouting from the rooftops.

Meanwhile, there is a whole slew of cool music being made.  So, we will get back to the regular shuffle.  I also have accumulated a pile of music news which I will be disseminating soon: New Albums, Tours, Bands breaking up and changing names, awards and honors and all sorts of stuff you may have missed.

So… Stack Chips took up a little over half of my walk in this morning, and so I fired up the shuffle mode and skipped around a bit until I came across two songs worthy of closing out this chapter of Ear to the Ground.  Here is the limited (semi-random) shuffle from this morning: 

How about Brenda Lee’s 1959 single Sweet Nothin’s which was included on her second (self-titled album) in 1960?  The album also produced Lee’s best known song, I’m Sorry.

And then, well, what can I say? We have The Reverend Horton Heat with Drinkin’ and Smokin’ Cigarettes, the lead track from their tenth studio album 2009’s Laughin’ & Cryin’ with The Reverend Horton Heat Widgets


Friday Morning Music (Non-Shuffle) – No Barcodes Mix

Today, we are trying something new.  It’s partially out of necessity, but I’m pretty psyched about it.  At Ear 2 the Ground, we usually focus on the Morning Shuffle which allows us to bring you a good cross-section of our eclectic musical tastes.  We will continue to do that.  Recently, however, I have been reminded of an e-mail conversation I had with a few friends who are more knowledgeable about music than I am (but they don’t write music blogs – so there).  But anyway, this was a few years ago, just before all of us were on Facebook, so we mainly had these discussions over e-mail (we are spread across the country). We were talking about the rise of the MP3 Player/iPod or whatever.  On the plus side, it sure makes it convenient to have at least a large chunk of my music collection at my fingertips, but I wondered if somehow, the concept of a record album might be lost.  In the end, I concluded that art is enduring and adapts to whatever changes in medium come along.  But, I still believe in the power of the album as a cohesive form of expression.  So, we do the shuffle, but I always like to point you, dear reader, to the source album, in the hopes (unspoken usually) that if you hear something you like you will check out the album as a whole. 
It is on rare occasions when we do a full-fledged record review, and of late, due to some unforeseen circumstances, I have been unable to doing many posts outside of our daily shuffle. So, when I was recently asked to write about a new record, I was excited, but the current state of my life and technology and time made it difficult to do what I so wanted to… That’s when I came up with this idea.  With my extended listening time in the morning, I usually end up with between 7-10 songs in the morning shuffle.  Coincidentally, that is the approximate length of many albums.  So, I pulled up the record I wanted to review, turned off the shuffle function (so I could hear the record in the order intended) and voila. We have the first ever Morning (Non-Shuffle) Album review, and it’s a great one… keep reading after the jump:

So today, we begin a new chapter in the Ear to the Ground saga by presenting the final chapter of another story.  Accomplices III: No Barcodes by Brooklyn’s The Gypsy West.  This is the final part of the rock trilogy about a modern revolution.
 from the band’s Bandcamp page:

“Accomplices is a modern musical trilogy.

It is told in 3 EPs that can be listened to separately or together in sequence.

This is the first part of the story.

The story focuses on personal liberation through public rebellion. It begins as an abstract narrative, weaving through different perspectives and characters. The prism of the Accomplices story is Phoenix. Articulate yet speechless, inspired yet immobile, Phoenix represents the common person and their potential.

The story follows Phoenix to and through a revolution, its many shapes and forms, and the many friends and foes along the way.”

This will be a review of the final EP of the trilogy which is being released today.  

Overall,  Accomplices III is a powerful musical statement.  At times epic and majestic , at other times vulnerable and tender. I make no bones about the fact that I am a non-musician – so my reviews are more about emotional responses, but I will say that from an untrained ear, this record sounds incredible. 

An interesting side note is between the release of the first Accomplices EP and this final EP, something called the Occupy movement occurred. The themes of the trilogy predate and anticipate the themes present in the Occupy movement.

Track 1: Changing  – As the record opens, there is a sense of urgency.  The lyrics “No longer waiting I’m no longer waiting for the changing of the guards or the unknown” are backed by a prog-rock influenced sound and soaring and glorious vocals.  “we’re coming for you now we will not be soothed we will not be owned we will not be sold”

Track 2: On the Watch (parts I-IV) is an instrumental track. Insistant and persistent. This track progresses rapidly through the four parts. Utilizing machine gun like drumming, real honest to goodness horns and some amazing sounding guitar and bass work, this track progresses the story forward without words.

Track 3: On the Watch (parts V-XII) continues this piece of the record adding words to the mix: all instinct I feel like gasoline I can stop and start the machine it runs on me” wherein the power of the people is claimed. I was struck by the many musical moods of this track. Even as a non-musician, I can hear and sense the eight different parts to this track.  
“you can’t buy your way out.”

Track 4: Accomplices  is another instrumental piece which begins with an extended bit of distortion, adds some ominous string to create a gorgeously noisy wall of sound. The track shifts gears at 1:40 with haunting more muted sounding guitar work. In this part of the track, the string add a touch of delicate beauty. The horns return in an elegiac fanfare that builds into into a majestic and epic crescendo??? (again not a musician) before slipping back into more distortion and chaos. 

Track 5: There are Rules .   “I’m the only thing stopping the Wolves from chewing on your bones” and “the man is talking do not disrupt for there are rules rules for swine” Musically progressive and lyrically challenging, this penultimate track of the record and the trilogy seems to me to represent the beginning of the end of the beginning of the end of a brutal and capitalistic power structure. 

Track 6: The Witching Hour is a contemplative and achingly beautiful song that brings the storyline and the record to an end.   

“in the dark so opaque the witching hour has passed it’s past me now it has let me go but tonight, tonight like always the hour never fades this aching quiet it sees me it never leaves”

There seems to be a sense of looking back, not without regret. 

The Gypsy West a great band. I, for one, can’t wait to see what’s up next for them.  If you’ve been following this band and have already picked up the first parts of the Accomplices trilogy, I think you will be pleased with how the story concludes. If you are just now finding about The Gypsy West, do yourself a huge favor and get on board.  You can go back and begin with Accomplices and Accomplices II: You Might Get Caught before leaping into this final part of the whole, or you can listen to and appreciate Accomplices III: No Barcodes as an excellent stand-alone record, and then go back and see what you’ve missed.

Here is the widget to download the new record:

 Get the first two parts of the trilogy here:

If you happen to be kicking around Brooklyn (or if you are anywhere in the general area), stop by The Trash Bar tonight (1/25/2013) – Here is a link to the event. The first ten people are going to get a free CD. 

Get your warpaint on, and prepare to be loud as the band will be recording the show.

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